IF WE DON’T, WHO WILL?
BY STEPHANIE DINKINS
If We Don’t, Who Will is a public art project by Stephanie Dinkins, created in collaboration with the nonprofit organization More Art. The project challenges conventional understandings of AI by centering the culture, craft, and well-being of historically underrepresented communities.
Working with More Art in a media production role, Eduardo Garcia documented internal events leading up to the exhibition’s opening, as well as the opening itself. The documentation included interviews with the artist, event photography, and the compilation of footage gathered over several months into a short-form documentary.
Learn more about More Art NYC.
PHOTOGRAPHY
By Eduardo Garcia
By Eduardo Garcia
IF WE DON'T, WHO WILL?
BY STEPHANIE DINKINS
If We Don’t, Who Will is a public art project by Stephanie Dinkins, created in collaboration with the nonprofit organization More Art. The project challenges conventional understandings of AI by centering the culture, craft, and well-being of historically underrepresented communities.
If We Don’t, Who Will is a public art project by Stephanie Dinkins, created in collaboration with the nonprofit organization More Art. The project challenges conventional understandings of AI by centering the culture, craft, and well-being of historically underrepresented communities.
Working with More Art in a media production role, Eduardo Garcia documented internal events leading up to the exhibition’s opening, as well as the opening itself. The documentation included interviews with the artist, event photography, and the compilation of footage and images gathered over several months into a short-form documentary.
PHOTOGRAPHY
By Eduardo Garcia
By Eduardo Garcia
IF WE DON'T, WHO WILL?
BY STEPHANIE DINKINS
f We Don’t, Who Will is a public art project by Stephanie Dinkins, created in collaboration with the nonprofit organization More Art. The project challenges conventional understandings of AI by centering the culture, craft, and well-being of historically underrepresented communities.
Working with More Art in a media production role, Eduardo Garcia documented internal events leading up to the exhibition’s opening, as well as the opening itself. The documentation included interviews with the artist, event photography, and the compilation of footage and images gathered over several months into a short-form documentary.
Learn more about More Art NYC.
PHOTOGRAPHY
By Eduardo Garcia